Taking back the power through punk – Genital Panic CD release at 7th Street

The silver lining of the current state of affairs in American politics is the wave of women raising their voices (to use the vernacular of the Women’s Mach) to effect change. We just don’t all sound as good as Tina Schlieske and Genital Panic doing it.

Genital Panic is taking punk back to politics in the spirit of Dead Kennedy’s using sardonic and simple observation to point out the obvious – something’s broken. Locker Room Talk isn’t just Locker Room Talk – if it takes hard core passion and a bubble gum chorus to make the point, so be it.

The sound is fun. Watching with a friend we warred about whether it was like X, the Go-Go’s, the Bangles or Patti Smith. Schlieske’s voice is strong and powerful, awesome yell when you need it and not afraid to go high when it’s appropriate. The band was also awesome. Some members were drafted in late when originally scheduled guests couldn’t be there but they nailed it with the cow bell on Donnie Talks to Russia along with the keyboard suspense rift, the tight bass on Menopause or the dark string interlude on Action Pants.

As much as I loved the music, what I really loved was the message. Schlieske told the story behind the new project. She had seen the work of Valerie Export, a feminist artist who, in 1968, wore crotchless pants into an art house cinema. She walked around with her genitals exposed at face-level to make a statement about the historical portrayal of women in cinema. (Action Pants: Genital Panic is the name of a poster series created to commemorate that famous viewing.)

For better or for worse, it’s time for women to take back our power by raising our voices, by reclaiming terms, by calling out what’s happening around us – through the #MeToo movement or a song such as Pussygrabber.  It’s happening with more women running for office, with more people voting (even in midterm primaries!) and daily protests. And it’s great to see a local hometown music hero joining the soundtrack for change with a bold change in her sound. It’s time for us to be heard!

Also every punk show should start out with a song about menopause.

Doug Collins & the Receptionists CD release – retro and fun

It can be concerning when the lead singer hits the stage with a vintage, brown polyester suit on. It sets a high bar. You better have the chops to back it up – and I am pleased to report that Doug Collins looked awesome in the brown suit and had the chops. There’s something retro, yet timeless in his music. It dates back to the early days when country and rock really did blur. I enjoyed seeing Doug Collins & the Receptionists at the Turf Club for the release of Good, Sad News.

My favorite song of the night was Conversation with my Heart. It opens his CD. It’s one of those super happy, snappy sounding songs with words that don’t necessarily match. It’s maybe just a little bit of what we need given the world today. A vacation from the gloom, without forgetting. It was great to have Katy Vernon take to the stage to sing it with him at the Turf Club. It just does a heart good to see so much joy in playing.

Halfway Through is another toe tapper. It has a more Americana sound but still upbeat. Ironically I had spent my day driving home from Winnipeg with my dad, listening to Willie’s Roadhouse the whole way. Hearing Collins sing Halfway Through fit the soundtrack of my day. But even after 8 hours (long time at the border) it’s music I enjoy, especially when it’s done well.

A bonus was Collin’s cover of Babba O’Reilly. I’m a sucker for The Who at the best and worst of times. It’s was a different rendition and I liked it.

Another super bonus was catching Katy Vernon before Doug Collins. Another musician with happier beat and sound than lyrics but it’s really hard not to enjoy a thoughtful ukulele!

You can see how Collins looks and sounds in his brown suit on his new record. We appears to be sporting it on the cover.