I love doing the radio show. I have been able to meet new people and this week I learned to do something new – we prerecorded the show because I am actually in Winnipeg. For the interested minority, I used Audacity and I just needed to toggle between MIME (when speaking) and Windows WASAPI (when playing music from Spotify) to get it to work.
I prefer to do the show in the studio, it’s just more fun than my dining room table but it’s always awesome to learn something new!
(You can also find the playlist for the show on Spotify.) Or see the playlist spelled out: Continue reading
Heather and I had out first guest and in-studio performance on Saturday. We were delighted to welcome JOUR. (I had just attended and reviewed her CD release on Thursday.) JOUR was great. She played two songs, we interviewed her and we played out with a song (Black Hole) from her latest CD.
For some reason I just knew that JOUR (formerly known as Jourdan Meyers) would be a great first guest. She is very kind and thoughtful. And I mean as in she thinks about things, she studies things, she’s purposeful and that came through in the interview.
Our other big hurdle – we were the only ones in the studio for a while. We didn’t break anything! And actually it was nice to take a breath and study everything a bit with no one watching. Like the first time you drive alone after getting your license.
Here’s the playlist on Spotify. And our playlist (below). I think we had time to p lay everything but we maybe didn’t stick to the order. Thanks to the people we know and the one we don’t who put out such awesome Minnesota Music
||Color of Her Eyes
||Little Red Corvette
||Lost & Blue
|The Bad Man
||Black and White Tv
||Your Eyes Are So Green
||Over the Red Cedar
||Red Headed Stepchild
|The Last Revel
||Black Eyed Susan
||Lonesome Tremolo Blues
|Koo Koo Kanga Roo
|Mikkel Beckman & Mike Munson
||Them Young Girl Blues
||Lily 14 crayon colors
|The Cactus Blossoms
||John Glenn Blues
||Red Dress Girl
||over the rainbow
|Davina and The Vagabonds
And including one of our PSAs – because it’s important! –
ACT NOW: Not registered to vote? Do it before Oct 16 OR wait until Election day. Save time on Nov 6th and register NOW! Text P2P to RTVOTE (788-683). It’s that simple! OR go online https://mnvotes.sos.state.mn.us/VoterRegistration/VoterRegistrationMain.aspx … #PowerToThePolls #Getoutthevote
It is fun to watch the metamorphosis of an artist, especially a young artist like JOUR (formerly known as Jourdan Meyers) with such a strong voice. I remember saying years ago that Jourdan had the voice of the sweetest torch singer in town. That’s not what I would say now. Her presence, her voice they feel more full force than sweet. Today she owns herself, owns her voice and is unafraid to use both to their fullest capacity.
Black Hole is a song that exemplifies the dichotomy of JOUR’s new sound. There’s a hint of Americana in the world of Electronica. JOUR’s voice is so powerful it propels a narration but on the side is a very interesting guitar meander. It’s like watching a play that features two conversations at once. Done poorly, it’s confusing. Done right, as JOUR has done it, it’s layered and interesting.
There are several songs like Black Hole that support multiple tunes or storylines that work in part because of the strong vocals that are generous enough to allow the other musicians to take the stage. It’s complex but again JOUR’s crystalline voice controls the chaos so much that it doesn’t feel like confusion it just feels like multiple simultaneous stories coming together.
My favorite song was Revolution; maybe because I appreciate anyone who highlights current events, especially in a time that is so divisive. And it does it with such finesse. Great art comes of troubled times. And the message isn’t overt but it’s purposeful.
Also worth noting, JOUR’s music brings the men on the dance floor. I love to see that support!
Heather Baker and I are like old hands on the radio now after our second show today – Mostly Minnesota Music on WMCN at Macalester College. Or maybe we still need to iron out some kinks. You can take a listen and let me know:
The theme this week was places – the theme for next week is colors. Post a comment if you have a request for a Minnesota band singing about colors!
You can also listen to the playlist on Spotify, it’s longer than the show itself because we over prepare.
Our notable moment of the show was the dedication of the first song to Red Daughters. We were waiting for them to play at the 331 Club last night. Sadly the keyboardist, Aaron “Hix” Lee was mugged and shot on the way to the show. I don’t know him well at all but I do remember cutting a rug with him at the Turf Club one night. Gotta love a guy who grabs you to dance and then walks on! (There is a GoFundMe set up for him.)
Here’s a probably pretty close to true playlist: Continue reading
Bye Bye Banshee is a new project by Minneapolis songwriter Jezebel Jones. It’s a modern ballad of our final trip through death’s door with nod to ancient themes and characters that have preceded us. It explores death with curiosity and embraces the eventuality with coquettish spirit.
Jones’ ethereal presence sets the stage. The full band around her brings the celebratory feel of a New Orleans funeral march. Her sultry tone in If I Die in my Dreams has a swampy torch singer feel that makes the invitation to her dream equally sexy and scary. You can’t say no.
If the album is a voyage, Pschyopomps is sound of the footsteps into the abyss or dusty trail. There’s room for the instruments to take on their own winds in different directions that pull in different directions.
Skull Rattles reminds me of the Bare Bone’s Halloween show in St Paul. Similar to Deathfolk Magic it is the story of death and life and life after death – but at a community level. Skull Rattles has the unraveling feel of dénouement – of finale but freedom. The narration between songs alludes to previously being under the spell of religion but moving to an understanding that life is a dream – punctuated in the performance with a rendition or rift on Robert Frost’s Nothing Gold Can Stay.