Sculpture Garden Opens, Northern Spark lights up the night

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June 10 is a day that will live on in Twin Cities art infamy. We flexed our art muscles, mopped up our sweaty brow and saw how art and politics mix – sometimes unintentionally.

The day started with the grand re-opening of the Walker Sculpture Garden. The garden kept some of the old (Spoon and Cherry) and brought in some new (Katharina Fritsch’s Hahn/Cock). I love her Blue Rooster and I’d love it twice as much if it were twice as big. (It’s 25 feet tall.)

Fritsch’s work is interesting – deep colors, everyday items. The Walker is showing her work inside right now too in a show called Multiples. It includes a creepy work of matte black rats in a circle with their tails tied in a monkey knot. The Rooster is a nod to feminism but also a playful addition to the garden.

The gardens are much more open. Like a good friend getting a haircut, it’s hard to pinpoint all of the differences but a lot of trees are gone or severely trimmed. The greenhouse (former home of the Frank Gehry Fish) has lost its walls. It’s more of a patio now.

The walkway up the side of the Gallery has some real potential. The sprinklers might be the best part of a visit – when it’s 95 degrees. Right now there’s a lot of no-go space as the flora fills in. The garden feels less like a secret now – but more like a part of the city.

What was missing was any trace of The Scaffold, the gallows turn jungle gym that bore an unfortunate resemblance to the gallows of the 1862 Dakota execution. The structure was completed a month ago and torn down a week ago after mediation between the Walker and Dakota community. New sod lives where the structure was.

If the Dakota community asked that the work be entirely erased, I respect that. If the plan is to replace that piece with something that celebrates the Dakota or other culture, I applaud it. The visual silence wasn’t deafening – but it was heard.

Just hours after the garden party Northern Spark started – a night of art. This year the art took place up and down the Green Line (train from St Paul to Minneapolis). One of my favorite nights of the year.

We started in Minneapolis at the opening ceremony. In the shadow of the US Bank stadium, we arted it up in the park. One of our favorites – the Night Library was there but sadly a 2-hour wait. But we caught a little bit of the cardboard drive-in, saw wonderful birdhouse art and learned that if we don’t’ clean up our act chocolate could be extinct by 2030!!

We also saw an IRL string-art infographic. You chose a color of string based on your age and wove that string through the art based on your survey responses. Love the idea of using interactive art like that to show results.

Next stop – Cedar Riverside. We saw some markets, a Ramadan meal but mostly people bustling about. I love that art brought people to a community that might be new to them. I think that’s the best part of Northern Spark – bringing people to communities. Cedar Riverside can be a little rough – but people live there. Families live there. They take walks. They play soccer. They speak 100 languages (collectively – not just one smarty). A lot of Somalis live in the area now. It’s been a home to new Americans since the 40s – it will be interesting to see who is living there in 10 years – and selfishly what culinary traditions they will bring!

We hit the Weisman next. Perhaps my favorite exhibit of the night was the Un:heard Resonance. It was real time creation of music and video based on interaction with nature. Somehow touch turns to electronic music. Very cool.

Little Africa was next – just off Snelling. There was a super cool VR thing you could try on the train. We were disappointed that we weren’t able to download that in time to use it. I wonder if it works after the event. We also saw a sad movie on what happens to the computers you throw out. People in poverty tearing apart computers for whatever copper or metal could be sold. Tearing apart include the toxic burning away of plastic. It hurt my lungs to watch it on screen! (Gotta plug my buddies at PCs for People if you need to donate your old computers!!)

Then we ran into a hiccup. We were going to take the train to the next stop but there was a 28 minute wait. I love the train. I loved the idea of taking the train stop to stop BUT at 2 am – a 28 minutes wait can be a buzz kill. It would have been nice to have more trains throughout the night. And speaking of trains – I enjoyed seeing the trains but just like it was interesting to get people to Cedar Riverside at night – being on the train reminded me of our neighbors who ride the train at night for shelter. (My friend Monica has been cataloging that journey.)

Finally we landed in Lowertown – by car. We caught the tail end of a Native storyteller and saw some spectacular nature superimposed on buildings and painted on the street.

I say finally but we have some hopes of visiting the Mekong Night Market tonight. Always another summer favorite that was combined with Northern Spark this year.

We took some breaks to meet new people and see old friends, which means we didn’t see everything but we saw a lot. I love the idea of art between the Cities. I love the idea of getting people out and about to see the different corners of the Cities. While I’m a supporter of raising awareness of climate change. I sort of miss the days when the focus on Northern Spark was art and community. I understand the teachable moment – but art and community seem like pretty good lessons too!!

What do you tell a kid about gallows in the sculpture garden?

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Aine and I took a trip to the Walker today to get a sneak preview of the new sculpture garden to be unveiled in a week. We have been trying to get sneak peeks for weeks – months really. We have been so excited and anxiously awaiting the new garden. Sadly that’s wasn’t the main reason we went today. We went to see the Scaffold – the work by Sam Durant that was intended to be a commentary on capital punishment but turned out to be a commentary on cultural insensitivity.

The work comprises elements of seven different hangings in US history; most notable for Minnesotans, it includes “elements” of the execution of 38 Dakota men following the US-Dakota war in 1862. The largest one-day execution in American history. (Elements is really a Minnesota understatement – from a distance is looks like the pictures of the scaffold used. A few weeks ago, while scoping out a sneak preview from the bridge by the garden, a friend called it for what it was immediately.)

I won’t go into the details of the war – but there are many questions about the hangings. Native Americans arrested at the end of the war were tried without representation and without knowing the process or procedure of military tribunals. Originally 303 prisoners were convicted of murder and rape and sentenced to death. President Lincoln stepped in to review the cases individually and lowered that number to 38 based on which convictions appeared to be for war crimes versus attacks on civilians. He did so knowing there was great controversy. Minnesota Bishop Henry Whipple asked for leniency. Minnesota Senator Morton Wilkinson warned that many were opposed to leniency.

The men were hanged. They were buried in a mass grave by the riverbank. Rumor has it someone removed skin from some of the men and sold it in Mankato. As if that weren’t bad enough, the grave was robbed and bodies were used for research by local doctors – including William Mayo. (He apparently kept the skeleton in his home. Those remains and other have since been returned to the Dakota Tribe.)

It’s an ugly part of American and Minnesotan history. These men have earned the right to rest in peace and their families need no public reminders of the horrendous acts. We should never forget the atrocity but how we remember is very important. As the protests said – it’s not Durant’s story. It’s not the Walker’s story. It’s certainly not my story.

So it was with some trepidation that Aine and I went – especially since Aine didn’t know the story and I didn’t know all of the details. We showed up and saw the protests signs and the list of 38 names. We heard the drums and got closer to see the drum circle.

Aine had so many questions – mostly why? Why did they want to put gallows in the same garden as Spoon and Cherry and the new Blue Rooster? Why did they think children should play on something so dangerous? (She worried about kids falling; I worried about kids getting desensitized to the structure and the idea of its use.) Why didn’t anyone think about how hurtful it would be the families and tribal communities of the men hanged? Why didn’t they get the Native community involved?

It was hard not to ask all of these questions and not remember the recent Take Over of Twin Cities art by Guerrilla Girls – a reminder to include women and other voices. Or the recent work of Jim Bear Jacobs and others to get legislators to rethink art and imagery of Native Americans at the Capitol. When and how can we learn to consider the importance of our words, actions and art on striving to be our best selves by including everyone?

The Walker is clearly asking some of these questions themselves. They have postponed the opening of the sculpture garden for a week. The Walker worked with the Dakota community to come up with a plan. A native company will remove the structure Friday afternoon. It will be burned ceremoniously by the tribe near Fort Snelling area. The Walker with commission a work by Native artist.

I love the Walker. I believe everyone makes mistakes, it’s just a matter of how you recover from them. I’m hoping to see recovery used as a tool to help shine light on all of Minnesota’s stories – in the first person.

Corey Palmer Heartache is released and the heart is regained at the Icehouse

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It’s fun to see a full band at the Icehouse -and Saturday night Cory Palmer brought a posse with him to release his latest album Heartache – guitars, basses, drums, three keyboards, a tambourine and just when I thought I’d counted them all, someone whipped out another instrument. It was a reunion of sorts. Palmer took some time away from music for happy reasons (family) and hard reasons (car accident and depression) but he has reconnected with his bandmates for the new work.

The band, talented with many members playing multiple instruments and with long stories of their own, includes Adrian Suarez (of Adam Meckler Orchestra and Vicious Vicious), Nick Tveitbakk (of These Modern Socks and from Pachyderm Studios), Jeff Marcovis (with Al Church and Tyte Jeff), Park Evans (of Fireball and Enormous Quartet), Katie Marshall (of Parts for All Makes and Katie Marshall Three-O), and Scott McVeigh (with Mark Mallman and of Speed’s The Name).

The new album and the show remind me of Chicago (the city), which to me means it’s funky and somehow reminds me of the 70s. The 70s connection might just be the conceptual album. Heartache plays like one long song – no breaks. Perhaps you could slice it into songs but there are themes are twist in and out, like an opera. The whole is greater than the sum of the parts. And the opera is the story of Palmer’s recent history. The sound is funky and poppy, the lyrics run dark but show a resilience that is catchy.

Palmer has an easy voice that is soothing and balances with the dark lyrics. There’s a great use of repetition and aural motifs in the music that bear out the sense of history of being in a dark place the idea of doing the same thing, expecting a difference answer but somehow the music does find a different answer, eventually. Marshall’s voice adds a dimension. The keyboards keep up the funk and the repetition. The advantage of three keyboards is effect of conflicting tunes in a small space – but not in a cacophonous way. In their raw honesty, the words can be hard to listen to – the music never is.

The Suburbs find a time machine at the Turf Club with the energy and sound of the 80s

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Sometimes I wish high school me could see snippets of adult me, like last night hobnobbing with The Suburbs in the Clown Lounge before their song out show – getting a sneak listen to their newest songs. It would have made high school me much cooler.

The set up was a private party in the Clown Lounge for supporters of The Suburbs’ latest fundraising effort, which turned into a record party with free Summit beer and roomful of faces from long ago. (And to help you connect names with faces, Cyn Collins was there with her new book Complicated Fun, a history of the music scene in the Twin Cities from 1974-1984 featuring more than a few folks in attendance.) After and hour or so of reminiscing – we all went upstairs to the sold out show.

The band was tight. They reminded me of The Suburbs I saw back in the high school mixer days. Unadulterated dance music – with barely a pause between songs. They started off strong with Cows. In fact I was amazed at how the show was really hit and hit with a couple new songs snuck in for good measure and the new songs fit in seamlessly.

The new was great. Hey Muse starts like a Stone Roses song. It’s more psychedelic than their usual repertoire but the psychedelics are an additive, it still has the strong dance beat and the energy of a full band – which makes sense as they have a full band of new and old faces on amazing musicians. It harkens back to some of the beats of the 90s but it feels new too. Chan Polling’s voice is unmistakable and comforting. Lost you on the Dancefloor Is a song that calls out for an old school MTV video – nor Real World or Teen Mom style – but the videos like A-ha or Safety Dance used to do. Polling voice is emotive. They make good use of Janey Winterbauer on backup. The song tells a story. The beat is mellow. There’s a catchy refrain. It brings back the best of the 80s.

The old was like a favorite sweater that fits again! Music for Boys, Waiting, Spring Came – again hit after hit. Love is the Law brought down the house – a symbol of how things have changed since the 80s, used a few years ago to celebrate the hard-fought freedom for anyone to marry. The night was capped off with a bonus double encore of Baby Heartbeat.

And to bring it full circle I came home and told my high school daughter that I’d seen The Suburbs. “The guys who sing Turn the Radio on?” she asked. “Cool!” The time machine is working, The Suburbs are still cool in the high schools.

Record Store Day 2017 – 8 record stores, one Science March and a lot of Prince

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12 year old: Is Record Store Day a competitive sport?
Me: Yes
12 yo: Does anyone else know?
Me: Nope, that’s how I win

Aine (12 year old) and I have been going to Record Store Day for four or five years. No matter the weather or whatever else is going on – we go. Yesterday was no exception but we went into it knowing we would not beat last year’s record of 11 stores in six hours. This year we had two other events – the Science  March and the first anniversary of Prince’s death – a sad and momentous occurrence.

So this is how our day went…

Because we were driving through downtown Minneapolis, we stopped and took a picture of Prince’s star at First Avenue. There was a gaggle of tourists in matching t-shirts posing when we got there. I thought they could have spent hours – but it was fun to watch them be so excited. (Also they let us sneak in our 30 second shot.) They had obviously come to Minnesota (maybe from Georgia) for the weekend for Prince. They were hitting all of the haunts. Reminded me to appreciate all that we have in Minneapolis and what a draw and influence Prince remains.

Our first official stop was Hifi Hair and Records. It was a quick visit but I went back later with a grownup friend to say hello and watch Paul Metsa play. I haven’t seen Paul play in 20 years. He still sounded great. It did feel strange to see him outside the West Bank (of the U of M campus).

We did a couple of drive-bys with Treehouse Records and Fifth Element. Treehouse is always a fun, old school used record shop. Fifth Element features a lot of hip hop and rap music. I am always astounded at how friendly the staff is – especially on what has to be one of their busiest days.

We hovered at Electric Fetus long enough to get a free Glam Doll Donut – purple for the day that was in it. And tasty! It was as packed as I have seen it. Busier than the in-store performance of Polica a few years back. Folks were buying. Somehow I got away with not buying a dress this year. I’ll probably be back soon though.

Next stop, we crossed the river back to St Paul to check out Eclipse. You know how records are organized by genre – then by alphabet by band name? Aine could not get over the fact that there was no “Q” section. She’s a huge Queen fan. Eclipse had two other things going for it – proximity to Candyland and the Science March.

In fact we had to scoot right out of Eclipse to hoof it up to the Capitol for the Science March. Rumor has it there were 10,000 marchers. There was a heavy youth focus – both in that there were a lot of young people there and speaking but also the signs people held urged people to remember science to help create a better future for you – really to ensure a future for youth.

After some inspiration science talk and feeling buoyed by the support for science and worried by the need to support science – we were back on the record store road. We went to Flashlight Vinyl in NE Minneapolis. I’d never been there. They were set up for fun festivities – and more free mini-donuts. They had a find the Doc Marten contest – where someone would win a pair of Doc Martens. I was tempted – very tempted – but also pressed for time.

So we trekked off to Hymie’s – where Record Store Day is a street festival. You can always pick up a free record, chalk up some sidewalk or grab a quick bite next door. I got a chance to see The Blind Shake, one of my favorite punk bands. They did not disappoint and I got a much needed opportunity to do a little dancing.

There was a shift of gears to check out Americana, country leaning of Miss Becky at Barely Brothers. She sounded great. We were able to sit in the sunshine and listen for a while. Best use of great weather and record store day.

The final record store for us was Dead Media. (And at some point “us” shifting to a grownup friend while Aine retreated back home, which opened the door to more punk than she’d like. We caught Kitten Forever. The tiny place was steamy hot and cheek to jowl – but worth it and a good shot of energy before gearing up for the shift to night time focus on Prince.

I like Prince. I saw a few shows. Prince was one of the most amazing performers I’ve ever seen live. His steaminess alone on stage leaves Dead Media in the dust. But I didn’t know Prince and I don’t have any Prince stories. But I have friends who knew him well. So I’m happy to celebrate Prince and his music to support his memory to support friends and because he was one of the greatest boosters of Minneapolis that Minneapolis will ever know!

We started the Saturday Prince festivities at First Avenue’s street party. It was nothing like the impromptu showing of love and mourning of last year – but it was well done and a chance for lots of people to remember Prince together. Local musicians (and dancers) played Prince songs – led and organized by Michael Bland. I saw Mark Mallman, Kerry Alexander from the Bad Bad Hats, Adam Levy and Jack Brass Band sing, accompanied by and Jeremy Ylvisaker, Ricky Kinchen and Bland. (I may not have gotten everyone.)

The event was free – but ticketed. There was a fence to keep people out. I have to think that was to allow First Ave to sell drinks and maybe for some insurance. It was easy enough to feel a part of the scene from outside the fence. Hard to keep in the music.

Next we made a quick stop into Bunker’s to see Jesse Johnson from The Time. So he can play guitar and look good doing it. You could see the influence of Prince or maybe on Prince. He’s fancy and good and has a that brighter look about him that stars have. We had to leave after just a few songs.

Our grand finale was the family party at the Metropolitan. It was great to hear musicians such as G Sharp, Andre Cymone and Apollonia play the songs as they were intended to be played – albeit without the main attraction. It was touching to hear the stories.

Through the generosity of a family friend, it was very fun to have VIP tickets, which meant no long lines on the way in and a fantastic view of the stage all night long.

But more than anything it was the best people watching ever! People had come from all over the world. Some folks were dressed to the nines! Lots of men in hats. Women in one-legged leotards, leather jumpsuits, lace and feathers and anything in between. People dancing. And minimal grousing about the bar closing at 1 am (for a party that started at midnight).

Also a treat – free breakfast starting about 3:30 am. It was surreal to walk into the full café next door to the Metropolitan and have it be full of fancy people at that hour. There was a little bit of a feeling like we’d all been through the high school lock-in together. Although maybe older and less able to stay up all night – or sadly sleep the whole next day!

Guillermo del Toro at the MiA – creepy but cool

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While I’m catching up with the blog, I’m going to catch up. We are lucky enough to have Guillermo del Toro at the Mia (Minneapolis Institute of Arts). Wow! I’ve seen it twice. Del Toro is a Mexican filmmaker – who makes super scary, uber creepy movies such as Hell Boy and Pan’s Labyrinth.

The exhibit included work from his movies, recreation of rooms (or parts of rooms) from his home, which he calls Bleak House, a collection of comic books and art (such as Francis Bacon) that is similar and/or influenced his work. The rooms were very well organized focused on topics such as a room on childhood fears and the super natural and beasts of all shapes and sizes. And there were videos of his various movies, most of which I couldn’t watch – too scary!

A key for anyone who is thinking about going to the show – and lives on a budget – you can see the exhibit for free if you become a member of Mia (membership is free) and then get tickets on a special My Mia day. It looks like April 9 and May 14 are the last days.

Minnesota State Capitol Art – what do we want to represent us?

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Today I had the opportunity to see a presentation from Jim Bear Jacobs on the painful historical art in the Minnesota State Capitol – specifically how it depicts Native Americans and celebrates a manifest destiny that sought to “civilize” and already civilized culture. It was eye opening.

After the talk, we went on a brief tour of the Capitol to view some of the works he discussed and an exhibit hidden away on the third floor that he didn’t discuss. I wanted to share two pictures from the tour.

The first picture is from the Rotunda ceiling – the main entrance and focal point of the Capitol. Mr. Jacobs explained the depiction of manifest destiny, of the white male figure driving savagery from the land. He is led by angels – implying that he is being led by God to take the land from the current inhabitants. He is driving away a bear, a cowering mountain lion, a naked woman with the head of a fox and a brown-skinned man.

Not all of the details are prominent from the main floor but this photo was taken (using my phone) from an upper floor and the details are clear from that perspective. It gives a message that is horrifying. Perhaps you can make the case that it’s important to remember our past – but not in the main entrance, a place that should invite and welcome all citizens. This picture is not welcoming, rather it creates – through art – an imbalance based on color, ethnicity and I’d add gender.

The second image (Discoverers and the Civilizers led to the Source of the Mississippi) overlooks the Minnesota Senate Chambers. This is more brutal than the previous. This time white men and women (again led by angels) bring their church to “civilize” the inhabitants. And if that isn’t persuasive, they also have snarling dogs. The Native Americans in the pictures are seriously under-dressed for Northern Minnesota where they’d freeze in the winter and be eaten alive mosquitoes in the summer and the attire is not based on traditional Ojibwe attire. (Background on the picture leans to an Ojibwe connection.) Again – horrifying!

Art should celebrate Minnesota and Minnesotans. This art doesn’t. If you think it doesn’t make a difference, listen to Representative Peggy Flanagan talk about her experience viewing the art. Walk around the Capitol and view the pictures of people of all colors (if you can find people of all colors), look at women, look at the events that are celebrated. We can do better.

In a gallery on the third floor, we found an exhibit of photography of Mike Hazard – an artist whose work I know. These are pictures of faces of people we see in Minnesota today – doing every day Minnesota activities. We need to make room to celebrate these faces and others. Also featuring art of contemporary Minnesota artists might build an audience and develop economic opportunities for contemporary artists. If I learned nothing from last year’s Guerrilla Girls Takeover of Minnesota’s art scene, it’s that we can build an opportunity for art and change with thoughtful approach to how art is used.

I remember visiting the Belfast City Hall three years ago where they were in the process of re-selecting art and artifacts that would represent art and artifacts that respectfully celebrate a painful past. Maybe art can bring Minnesotans together in the same way.

Maycomb: A Suite for Wind Ensemble and Folk Band April 18 at Ted Mann Concert Hall

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The Paper Days, a Minneapolis folk-rock band, have composed a work based on “To Kill a Mockingbird” to be performed with The Northstar Campus Band called – Maycomb. The performance is free. Student musicians from around the state will be attending. It is open to the public!

It is an opportunity for high schools around the state to take on a challenge of a new work that mashes up old and new – both in music and story. The music keeps a foot in classical and and in contemporary camps. The story of To Kill a Mockingbird opens the door to discussion of social issues relevant today and in 1960 when the book was first published.

Maycomb: A Suite for Wind Ensemble and Folk Band 
The Paper Days are premiering an original composition performed in collaboration with The Northstar Campus Band called “Maycomb”

  • On April 18th
  • Ted Mann Concert Hall
  • Time/Duration: 7:30-8:30 Approximately 1 hr, meet and greet to follow in lobby
  • FREE, All Ages, Family Friendly.

 

Gambler’s Daughter at Can Can Wonderland

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You know what a real gambler does? Plays a place as crazy as Can Can Wonderland! I’ve got to set the stage. Can Can Wonderland opened about six weeks ago in St Paul just off University Avenue, West of Midway. It’s a renovated canning company, turned indoor miniature golf and stage and dozens of old school pinball machines and fun drinks for kids and adults.

It’s crazy – but it’s actually crazy good. I wasn’t sure what to expect especially for a show. I brought my favorite 12 year old just in case. We ordered a Fruit Loop malt and set in for a few songs before hitting the machines.

Gambler’s Daughter played before an audience of all ages – a full house. Luckily Jessa Roquet’s voice is robust enough to fill the space. Somehow either due to the band or some excellent sound engineering, the setting feels pretty cozy and the band really becomes the center of attention – a little bit like being in the eye of the storm.

The music straddle s pop and folk. Roquet’s voice is clear and she can hit the high notes. Harmonies with her sister Emily Carlson deepen the music. And watching the two on stage in such a crazy place is worth the price of admission – sort of a good natured how-in-the-heck did we get here wonderment.

She plays with a full band, including a lot of strings and there’s an echo of guitar in a few songs that’s really nice. She played a few somber songs. The inspiration for The Woods was Robert Frost’s “Stopping by Woods on a Snowy Evening”. She makes it her own with new imagery but uses many of the famous line (“miles to go before I sleep”) and especially seeing the band with a kid, I appreciate an artist building from past art and giving that art to a new audience.

There was a song that isn’t on her new album. It was perfect for the location with a circus theme about a carousel and watching the world from above it. It gives me something to look forward to on the next album!

The Lowest Pair brings the front porch to the Dakota Jazz Club

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Photo credit: Tom Garneau

Photo credit: Tom Garneau

The Lowest Pair brought their front porch sound to the jazzy darkness of the Dakota on Thursday night. The room was full of admirers making the downtown urbane club more down home and cozy.

The Lowest Pair is the duo of singing, banjo playing, guitar playing and at least one harmonica playing song writers. Palmer T. Lee is from Minnesota. Kendl Winter is from Arkansas but has transplanted herself to Olympia, Washington. Their last album was Fern Girl & Ice Man. It seems an apt description of them.

They have an earnest sound. Both have aspirated voices that feel like storytelling. Winter’s voice can bring on a trill – like a more mountain version of early Dolly Pardon. Lee’s voice can become almost aggressive like traditional Irish singer talking about the Brits. And the voices blend well together.

Each has a turn at center stage. Each supports the other. They sing in harmony and at times with a countermelody. They do the same with the instruments. There are times when they play together and times when they play around each other like smoke swirling – either way it works.

They opened with The Sky is Green from Uncertain as it is Uneven – the gullible song! She’s on the banjo, he’s on guitar. She’s singing. It sounds like a summer day. They played new songs too – such as Take What You Can Get, which seems more country, less blue grass to me and Bent Out of Shape, which Palmer introduced as a gospel.

The second set opened with Dock My Boat, which is upbeat. And then one of my favorites – Headed to the River. Tough to beat two banjos played fast. I think that was when I had to quit sitting, which is one of the rare downsides of the Dakota.

They made the whole house happy when they ended the second set (pre-encore) with Rosie – an imploring song that showcases their voices.