John David and the Jerks album release at Seventh Street Entry – I Love You Means I’m Lucky!

It’s going to be a strange comparison, but John David reminds me of JJ Grey. There’s a swampy sound to this Northern band. But also they both share a joy on stage that is infectious.

It was fun to see John David & the Jerks play with the Collapsing Stars and Monica LaPLante at the Seventh Street Entry. David started by playing a dozen (or so) old songs and followed up with a rendition of the latest album in its entirety. The crowd clearly loved it. It’s always smart to go from the known to the new.

I found the newer material to be more reflective, especially with Swedish Dreams. It’s a pretty song. It’s mellow but melancholy is a positive way. But then there’s still danceability and toe tapping to be found in a song such as Friend Like You. David’s voice has a slight Dylanesque lilt. The band is awesome and really go full tilt.

Lowland Lakers album release Lost in the Move at the Turf Club

There’s a sadness, longing and remorse in the music of Lowland Laker’s latest album, Lost in the Move. But there’s a sense of redemption too – or maybe growth. It’s calmly uplifting in a country music way.

The band at the Turf Club included regular members Haley Rydell ( on guitar, violin and vocals), Nate Case (on guitar, banjo and vocals), Taylor Donskey (on bass and vocals) and a borrowed keyboardist in Dave Mehling.

Let the Light Through is a slow song; Case is lead singer. It’s dark but it’s good. You have to like a song that fits in a Shakespeare quote!

Turns out He Doesn’t Waltz is about Donskey’s grandfather. It’s slow, pensive and Donskey sings. He has almost a bluesy voice and extends the words in a slow way that adds interest and I’m sure is reminiscent of his grandfather.

But they aren’t all slow. I like the uptick of All I’m Good For, sung by Rydell but written by the former bassist, Matt Donoghue, for his daughter. The keyboards on that song are especially catchy.

Jeff Krause CD release Naked and Hardhearted at the Icehouse

Jeff Krause looks like he sounds and that’s a treat. With a winter beard and a black hat and a couple of guitars, he’s the picture of Americana. He has the patience on stage to unfurl his songs like good stories. He gives room for the other band members to weave in their characters (especially the keyboard), which adds a depth to the songs and end of the song comes in its own time. With nice punctuation!

Like the old school country I used to listen to on road trips with my dad (OK, still do), Jeff’s lyrics are lessons to be learned. “How does he treat you when no one else is in the room.” I ought to needlepoint or tattoo that awesome line somewhere obvious.

The slow steady build of Trying to Forget You is one flavor classic country. The keyboard takes a little dance during the song. The drums push it forward and Jeff was joined on stage by Lena Elizabeth. She offsets his voice nicely. Jeff has a gravely, yet young voice. Picture your favorite (male) country singer in his heyday. The chorus is particularly catchy.

Love You this Way is another slow one. It feels like the last song at the high school dance – or maybe the song after last call in the honkytonk. But they aren’t all slow. There are some toe tappers too. There was a new song (for a future CD) Better Shoot Me Now that was a hip shaker with a great guitar interlude.

Becky Rae Dalton album release Ready or Not at The Hook and Ladder

Walking into the Hook and Ladder I was welcomed by Becky Rae Dalton and her unassuming rock band. Four people on stage – two guitars, bass and drums. There’s a country twang, I heard some great rock strong solos and there’s a thoughtful folk rock sensibility. It’s the kind of music you might pack for a road trip.

Becky’s voice is strong and clear. There’s something comfortable in her voice. My friend insisted that it’s because she sounds Minnesotan. He may be right and I mean that in the best way. There’s some something warm and straight forward about her voice. Listening to older albums I think that her voice has become more naked and strong. She played an older song Thursday night, Blue; there was gypsy feel to the staccato pace of the song and her voice had a lilt. I liked the song and her voice in it but it also drew me to the purity of her voice in other songs.

Ol’ Mississippi is a potential breakout song on this album. It has that country twang. There’s a freedom in the lyrics and the feel of a hot summer day (ironically the name of an entirely other song) to the song – like you’ve been walking a long time and finally sit down. It has an easy but traveled pace.

As a special bonus – it was fun to see that Becky’s video was a the top of the top five City Pages videos of the week!

Weekend of festivals: Northern Spark, Stone Arch and Rock the Garden

Summer in the Twin Cities is crazy. So much fun, so little time. This weekend was like that on steroids. I managed to get to three festivals – to greater and lesser degrees.

Northern Spark is the all night arts festival in Minneapolis. Except this year it was only from 9 pm to 2 am but it went on for two nights. I brought Aine and a friend – then we met up with a friend of mine there. The festival was set up in three parts of downtown Minneapolis: the public library, near the stadium and on Nicollet Ave. Different artists set up stations – most are interactive. And you can meander from one to the next.

Some of our favorite exhibits include the Meme Weaver – a giant interactive machine programmed by Arduino to weave poetry. Then Keith Braveheart worked with the local Native art community to creatively recreate Buffalo Nation – an historical picture of buffalo skulls killed by settlers in an attempt to eradicate Native people. There we created buffalo skulls that they assembled.

We love the library. The trans dance was kind of awesome – people just dancing in a circle. There was a singalong – although much higher brow than I could do. Aine got a chance to ride a virtual reality bike. And we just got to be downtown last at night with hundreds of other people.

I got to take a tour through the Stone Arch Bridge Festival the next morning on a walk. It was so muggy, so hot and it rained for the whole 8 miles! Stone Arch include dozens – if not a hundred artists booths. A highlight was the robot art. And the free sample of brats at the Weber grill booth. And the area around the Stone Arch Bridge is gorgeous.

Finally – thanks to the generosity of a friend – I got to go to Rock the Garden. It’s a full day of music at the Walker Art Center. Three of my favorites were there – Father John Misty, Chastity Brown and Nikki Lane and I got to hear a lot of new music. It was steamy hot but there was a breeze.

Chastity Brown told a sad story about playing in Eau Claire earlier this year. She was in front of the venue when a white supremacist accosted her – yelling and getting in her face. No one around her helped – until a band member happened to walk outside. It has led to many discussion of “what would you do?” I hope it made everyone in the crowd ask – so that we’re all prepared if something like that happens near us.

Yam Haus album release at the Amsterdam – local pop band on the way up

If you can’t stand the heat of a rising boy band – stand in the back and get your ear plugs out when you come to see Yam Haus – because they are bringing it. And to be heard above their admiring fans, they need to be loud!

They opened their sold-out, album release show at the Amsterdam with the title track – Stargazer, much to the delight of all around me. It is synth-pop music, leaning on pop. The songs are catchy and high energy. They are fun to hear live but they are made for radio. The songs are infectious. The message is positive. They are cute. They are just the thing to make a young girl swoon and scream.

Yam stands for [you are me]. It’s quirky but again positive and lets the fans have an inside secret. Not a huge secret but I think for the target audience, a little something the parents don’t understand is a fun thing.

There are four band members: Lars Pruitt on vocals and guitar,  Seth Blum on electric guitar, Zach Beinlich on bass and Jake Felstow on drums. They are charming on stage. All smiles, lots of dancing and even more personality. They are from the Twin Cities and I think they represent us well. They were gracious to Kaleb Lee, who opened for them. The band was also very gracious about the location – the Amsterdam.

Note: First performance was Kaleb Lee is from The Voice. He is unapologetically country, which I thought was a nice balance with Yam Haus. He may have been the piece to connect kids and parents in the crowd – and the crowd was mostly kids in front parents in back. Both groups seemed happy with Lee and Yam Haus.

Astronomique – Sharp Divide CD release at Seventh Street Entry

I’m a fan of Astronomique. I often feel like their show sounds like Barbarella looks. It’s retro and funky and techno. It’s a dated glimpse at the future. The latest material sounds smoother, calmer, maybe dreamier than earlier material.

I enjoyed the title track from the new CD – Sharp Divide. The live and recorded versions are quite different. Live the song feels like a clever repetition of a simple tune but the recorded version feels more layered; it sounds like a much larger band when really there are only four of them: Logan Andra Fongemie on lead vocals and synth, Sean Hogan on guitar and vocals, Mitch Billings on drums and vocals and Preston Saari on bass guitar.

The keyboard really adds the retro-future feel to the songs. The drum is solid and especially prevalent when live. And the strings keep the band firmly grounded in a rock sense.

There are elements of music from the 60s, 70s, 80s and 90s across the album. There’s somethings familiar but new. It would make a great house party soundtrack.

Wowed by Caroline Rose and Cardiod at the Seventh Street Entry

Mostly I write about Minnesota music and art, but something I run into a show that strikes me that even though it just takes place in Minnesota, I still want to write about it. Caroline Rose with Cardioid at Seventh Street Entry was such a show!

Both bands are unconventional (maybe creating new conventions), energetic and post-feminist (my observation, not their label), female-led bands. (Though the guys rock too.)

They sing and talk about girl topics – including, but not limited to, PMS and periods. It’s not gratuitous, it’s just every day stuff but refreshing to hear it from the stage, again in a non-gratuitous way.

Caroline Rose rocks, just no other way to put it. And she’s very clever. Every song is her favorite to play.

The band has the energy of a Shonen Knife. Seems like everyone had a guitar (or bass) and a keyboard. And interesting setup, especially for musicians to like to dance too. I can’t wait to see them on a bigger stage.

Jeannie Becomes a Mom should be a techno anthem. It’s a cautionary tale with a beat. Bikini is more like next generation B52s – it’s a female’s POV homage to the two-piece. It’ll get you places – but you have to wear it. A double edge sword.

Cardiod play Fantasy Metal – a genre we should all be promoting to greater heights.

The front women look like they walked off a Broad City sound stage. Lizzy Ellison has a mesmerizing voice.

What I love about both bands’ music is how the use of very specific details, makes the lyrics more universal. I’ve never played Super Mario but I understand the love-hate ambivalence of trying to conquer the top levels of a challenging game.

Rainbow Road, from Carioid, was maybe my favorite song. Written about that vexing level of a Super Mario but also written about when you love someone but they don’t want to be happy so they sabotage the relationship. I have to admit that I’m not sure if that’s universal or a primarily female take on a relationship, but I get it.

And I love the straight-forward, style of Fantasy Metal. Strong voices, unapologetically wide ranges, a nuanced approach to an almost family genre.

I went to the show with almost no knowledge of the bands and left ready to change the soundtrack of my year!

 

Little bit country, little bit rock ‘n roll – Margot EP release at the Icehouse

I went to see Margot at the Icehouse on Thursday because on the recording I thought the lead singer (Hunter Baugh) sounded like Eddie Vedder. Live he doesn’t sound as much like him, but that’s not a bad thing at all. His voice is as compelling. The band maintains a festival level passion and enthusiasm throughout the show. It’s a really enjoyable combination.

The band is folksy – kind of rocking and kind of country. Baugh noted their “terrible transitions” but if you like rock and country, they’re kind of awesome. They started strong with a very folksy build up with strong, exciting drums, like storm about to hit. The violin lends an almost Irish sound, although that may speak as much about my misspent youth at Irish Fairs than anything else. (Sixteen, off the latest album, is a good example of the musical Celtic brogue.)

There were three vocalists on stage Thursday night, which I think help sustain the high energy. There’s an imploring energy in the songs. Baugh announced that Margot will be releasing a new, acoustic EP on July 8. We got a sneak preview of some of those songs too. They are, as you might expect, leaning more country than rock but a nice balance.

Annie Fitzgerald – You, Me and the Sun release at the Hook and Ladder

From the stage, Annie Fitzgerald described her album in one word – summer. It is light but deep, easy but complex. The music, the melody is generally upbeat cheerful but the stories she tells are life lessons, such as Oh Caroline about her grandmother. One sweet story was the connection between the song and a story she read to her son called The Invisible String.

Fitzgerald has a lovely Irish sounding voice with the just this side of comfortable, almost falsetto high tones in a song like Be Like a Tree. Then she turns around with the raspy aspirations of the Rest of Me.

The songs have a pop sound but within that she touches on different genres. Goodbye Now is a slower song with a bluesier feel. Maybe deeper blues played live than on the album but with an imploring twang either way. It’s a nice balance to the refreshing breeziness of the rest of the album.

It was fun to see fellow musicians Sarah Morris, Matthew French and Jen Bluhm share the stage with her – bother in supporting bands but also singing her songs with her on stage. I love when  Twin Cities musicians share the love!